Roberto Lugo
Apr 9th - Jul 5th, 2026
Roberto Lugo welcomes visitors into an imagined living space celebrating his Philadelphia roots and cultural heritage. This deeply personal reflection on America’s socio-political landscape celebrates the power of art to communicate. Lugo mixes historical pottery traditions with pop culture, humor, and critical clarity to address complex issues, including cultural identity, mental health, social justice, and the resilience of underrepresented communities.
This exhibition is a part of Radical Americana. A larger multi-location project that brings together art and culture institutions around Philadelphia. Learn more about Radical Americana here!
More than just a retrospective of Lugo’s career so far, “American Crib: What's Happening?” will be a deeply personal and poignant reflection on America’s socio-economic and political landscape.
Artist Statement
My work is intended to be a biographical narrative that tells the many stories of my life. The objects I create speak of personal subjects - my experiences with obesity, racism, and class division. I use the associations with ceramic material and forms of pottery, such as elite fine china and porcelain, to discuss these issues with humor and irony. My strongest concepts are influenced from the juxtaposition of cultural elements in the form of mass media and current events. Using historical ideology within pottery as a vehicle to introduce a modern theme is of great importance because it allows me to add more dimensions to my artwork.
Artist Bio
Roberto Lugo is a Philadelphia-based artist, ceramicist, social activist, poet, and educator. Lugo utilizes classical pottery forms in conjunction with portraiture and surface design reminiscent of his North Philadelphia upbringing and Hip Hop culture to highlight themes of poverty, inequality, and racial injustice. Lugo’s works utilize traditional European and Asian ceramic techniques reimagined with a 21st-century street sensibility. Their hand-painted surfaces feature classic decorative patterns and motifs combined with elements of modern urban graffiti and portraits of individuals whose faces are historically absent on this type of luxury item - people like Sojourner Truth, Dr. Cornel West, and The Notorious BIG, as well as Lugo’s family members and, very often, himself.
April 9 2026 | 5:30 pm - 8 pm
Thank you for joining us to celebrate the opening of Roberto Lugo's exhibition "American Crib: What's Happening?", please stop by our gallery any time until July 5th to experience the space.
Medium & Materials:
acrylic on wood
Description:
Portrait of Roberto Lugo's grandfather.
Medium & Materials:
terracotta, china pain, luster
Description:
Billie Holiday (1915-1959) – jazz and swing singer and songwriter, whose talent and skill expanded Jazz and musical concepts related to tempo and rhythm is on the reverse of the urn on the mantle.
Matthew Henson (1866-1955) – arctic explorer with a total of 18 years on expeditions, noted as the first of his party to reach the North Pole
Medium & Materials:
glazed stoneware, acrylic, enamel, birch, pine, and laquer
Description:
In 15th century Florence, Italy, Luca della Robbia (1400–1482) developed a glazing technique for sculpture characterized by brilliant opaque whites and deep cerulean blues that retained their original vibrancy and color for centuries. This tin-glazed terracotta technique was passed down in generations of the della Robbia family, catapulting the family name into the canon art history and solidifying their impact for years to come.
Lugo draws inspiration from this renowned family adding contemporary elements to the methods and content. The title is a mash up of his nickname, Robske, and the famous family name. Lugo continues the Della Robbia family tradition of creating portraiture of both sacred and secular themes by mixing the two in his own work. In Maribel and Child, a play on the Della Robbia Madonna and Child, Lugo depicts his mother as Mary and himself as Christ. Lugo also alters the series by adding shadow to the pure porcelain, giving it additional depth, while maintaining vibrant colors, accentuating these with golden accents.
Medium & Materials:
glazed stoneware, acrylic, enamel, birch, pine, and laquer
Description:
In 15th century Florence, Italy, Luca della Robbia (1400–1482) developed a glazing technique for sculpture characterized by brilliant opaque whites and deep cerulean blues that retained their original vibrancy and color for centuries. This tin-glazed terracotta technique was passed down in generations of the della Robbia family, catapulting the family name into the canon art history and solidifying their impact for years to come.
Lugo draws inspiration from this renowned family adding contemporary elements to the methods and content. The title is a mash up of his nickname, Robske, and the famous family name. Lugo continues the Della Robbia family tradition of creating portraiture of both sacred and secular themes by mixing the two in his own work. Lugo also alters the series by adding shadow to the pure porcelain, giving it additional depth, while maintaining vibrant colors, accentuating these with golden accents.
Medium & Materials:
acrylic on canvas
Description:
In direct reference to the Renaissance painter Leonardo Da Vinci’s Virgin of the Rocks (or Madonna of the Rocks, c. 1485) Lugo again replaces sacred characters with those of his own life. In the original painting all the figures are kneeling to adore the infant Christ, who in turn raises his hand to bless them. In Lugo’s, he depicts himself as Christ, is Additionally, we once again see his mother, Maribel, as the Virgin Mary, and his cousin as Saint John the Baptist, throwing up an iconic hip hop collective Wu-Tang Clan hand gesture.
Medium & Materials:
ceramic
Medium & Materials:
ceramic
Description:
Questlove (Ahmir Thompson b. 1971) – the Grammy and Academy Award-winning musician, producer, filmmaker, author, and DJ, is also the co-founder of Philadelphia hip hop group The Roots. His book, Hip-hop is History, is in the library on the North wall of the exhibition. His portrait is on one of the urns beneath the painting, Maria of the Block.
Medium & Materials:
glazed stoneware, luster
Medium & Materials:
glazed stoneware, luster
Medium & Materials:
glazed stoneware, luster
Medium & Materials:
glazed stoneware, luster
Description:
Loaned from the collection of Karen Connell
Medium & Materials:
glazed stoneware, luster
Description:
Loaned from the collection of Karen Connell
Medium & Materials:
acrylic on wood
Description:
Septa Train Tableau with Mantle and Mirror
With his reimagining of René Magritte’s La durée poignardée (Time Transfixed), 1938, Lugo asks viewers to consider Magritte’s original desire to elicit “poetic secrets” through his works, by tapping into the thought provoking composition of two heavily contrasting objects and expanding it further by creating the piece to be functional. Although the original fireplace is domestic and the train is industrial, they were linked by the smoke. Lugo plays with this by removing that physical connection and proposing the viewer as the connection - with more native Philadelphia imagery of a septa train car in place of Magritte’s steam engine, and a purely aesthetic mantle adorned with garniture both personal and familiar.
Medium & Materials:
glazed stoneware, luster
Description:
Biggie Smalls (1972-1997) – American rapper and songwriter, regarded as one of the greatest rappers of all time, can be found on the teapot on the mantle.
Medium & Materials:
glazed stoneware, luster
Description:
Malcolm X (1925-1965) – revolutionary and Black nationalist leader, an essential voice of the civil rights movement in the United States. Lugo memorializes him on a teapot in the Tea Service area.
Medium & Materials:
glazed stoneware, luster
Description:
Ralph Ellison (1913-1994) – writer, literary critic, and scholar best known for his novel Invisible Man, featured on the bookshelf along with a biography on his life titled Ralph Ellison. Lugo memorializes him on a teapot in the Tea Service area.
Medium & Materials:
wood, fabric
Description:
With fabric deigned by Lugo and custom upholstered to a vintage couch frame.
Medium & Materials:
glazed 3D printed ceramic
Medium & Materials:
glazed 3d printed ceramic
Medium & Materials:
ceramic
Medium & Materials:
acrylic on canvas
Medium & Materials:
ceramic
Medium & Materials:
acrylic on wood
Medium & Materials:
clay, underglaze, glaze
Medium & Materials:
clay, underglaze, glaze
Medium & Materials:
ceramic, metal stand
Medium & Materials:
ceramic
Beginning in April 2026, Radical Americana invites audiences to explore a series of exhibitions featuring new work by the 25 featured artists, presented at cultural destinations across the Philadelphia region. At The Clay Studio, acclaimed Philadelphia-based ceramic artist, activist, and educator Roberto Lugo will debut American Crib: What’s Happening from April 9 to July 5. More than a retrospective, the exhibition offers a deeply personal and poignant reflection on America’s socio-economic and political landscape, drawing directly from Lugo’s lived experiences with cultural heritage, mental health, and the power of art..
Organized as rooms in an apartment, American Crib: What’s Happening will present a range of artworks that reveal how Lugo uses the language of ceramics, including elite fine china and porcelain forms and their cultural associations, to address contemporary issues with humor, irony, and critical clarity. The exhibition showcases the artist’s distinctive juxtaposition of historical pottery traditions with mass media, current events, and the complex identities that inform his practice. The immersive period room-inspired setting in The Clay Studio’s Jill Bonovitz Gallery will invite visitors to engage directly with his artwork, presented alongside research undertaken at the Philadelphia Art Museum to emphasize the expanding dimensions of his storytelling. Participatory events will include poetry readings, tea ceremonies, and musical performances
Supported By
The mission of the Gelman Foundation is to provide support for emerging visual artists and the arts. To this end, the Foundation has supported and continues to support museums, exhibitions, art scholarships, inner city outreach programs for high school students, studio space and public art.
The National Endowment for the Arts (NEA) funds and strengthens the nation’s creative capacity by providing all Americans with diverse opportunities for arts participation
The Decorative Arts Trust promotes awareness, encourages appreciation, and champions the study of the decorative arts and material culture through educational programs, communications, and grantmaking.
The Philadelphia Funder Collaborative for the Semiquincentennial exists to support Philadelphia-area programs celebrating the 250th anniversary of the founding of the United States.
The foundation intends to make grants in support of projects which benefits the arts in general, including, without limitation, visual arts, literature, and the performing arts.
In-Kind Donations from
Committed to nurturing and sustaining the markets and careers of both emerging and established designers, as well as to maintaining and expanding commercial and academic interest in historical design
Dedicated to a quality found in objects and materials that have witnessed the passage of time; and honoring the character of everything we touch by uncovering each object’s unique story, exposing its hidden beauty, and giving it new life in modern design.
Making sure that the pieces that we acquire go on to bring enjoyment to new families for decades to come, while preserving furniture that is as enduring as the memories we make with our loved ones.
For the Semiquincentennial, The Clay Studio is leading Radical Americana, a series of exhibitions organized by a consortium of Philadelphia’s arts and cultural institutions. Each celebrates how artists today are continuing the city’s robust legacy as a center for art, skill, and civic engagement. The 45 artists researched and were inspired by the art and history of Philadelphia in 1776, and the subsequent commemorations in 1876, 1926, and 1976. The artists' new work will add their voices to current dialogue about our nation’s present and future, inspire civil dialogue, celebrate Philadelphia's diversity, and continue the rich tradition of creativity in our city.
Learn moreStay up to date on all things Clay Studio with announcements, invitations and news delivered straight to your inbox.