In 2020, our new facility in the vibrant South Kensington neighborhood will propel us forward — a complete, comprehensive ceramics center expanding our role as art educators and securing our place as a leader in the field of ceramics. This is a defining moment, when our shared creativity becomes an even greater force for good. Together, we’ll make this vision a reality. Your support is especially critical — make a donation today!learn more and make a gift
Our shop features one-of-a-kind pieces you won’t find anywhere else, handmade by over 100 artists. With a choice of pottery, tableware, décor, jewelry, and works of art in every color and every price point, you're sure to find the perfect gift, and you'll be happy to know that your purchase directly supports artists and the operations of the The Clay Studio.shop now
In 2020, The Clay Studio will relocate to its new home on N. American Street between Master and Jefferson Streets. In preparation for our move, we are having conversations and sharing meals with the residents there through a series of free community workshops. We want to know our future neighbors' thoughts and feelings about their community — their memories and hopes for the future.clay & conversation
Meet our artists
My practice involves three separate, yet completely intertwined ways of working: ceramic sculpture, functional pottery and drawing. In the sculptural work, I construct compositions with minimalist, architectural ceramic forms which are coated with a film of directed or reflected light from adjacent, brightly colored surfaces. Based in color theory, these three-dimensional still lifes address the perception of objects and the spaces between.
My work is an exploration of issues of perception and representation and how these concerns mold our understanding of the world. I am interested in both actual representations and cultural perceptions of the way things are and what makes each significant. The work examines how much of what we know of the world is through illustrations and representation rather than from personal experience and the difference between “real” versus simulated experiences.
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