holy.body

Michael Biello

Apr 10th - Jun 29th, 2025


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Thursday, April 10th, 2025 | 5pm - 8pm

Exhibition Openings in the Gallery

Join us for the opening of three new exhibitions in our Gallery! Our 19th annual Small Favors, Jeanne Blisset Robertson: Another Way of Knowing, and Michael Biello: holy.body!

RSVP for the Reception Here!
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Thursday, June 12th 2025 | 1pm - 2pm

Clay and Conversations with Michael Biello

Join us for a conversation with longtime artist and advocate Michael Biello about his practice and solo show holy.body a continuation of his life-long exploration of male intimacy and queer spirit.

Register for the Zoom
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Related Events

Michael's work will also be on view at InLiquid

In the Soft Light, at InLiquid in the Crane Building will also include works by Michael Biello

More Information

In HOLY . BODY artist Michael Biello continues his life-long exploration of male intimacy and spirituality through clay, poetry, and performance.

Inspired by the chapels and shrines of his childhood as an altar boy in a Roman Catholic church in an Italian working-class neighborhood of Philadelphia, by his family’s deep roots on Italy’s Adriatic coast, by his queer cultural activism, and by 50 years of creating theatre and performance art, HOLY . BODY brings together a tribe of Biello’s imaginary characters – some brothers, some lovers, some saints - in a joyful dance of communal pride. Shedding shame, pushing past censorship, exposing their softness, intimacy, and kindness - as well as their scars. Finding light in a dark homophobic world. 

Biello’s long history of building intimate, interactive spaces on stage and in his storefront studios in Noho New York and Old City Philadelphia will be reflected at The Clay Studio – inviting viewers to enter into the sanctuary of his imaginary world.

Biello hand-builds and slip casts his ceremonial figures, vessels and objects, surfacing them with handwritten words from his poems and lyrics, adorning/tattooing them with pencil, pen, paint, glaze, and leaf. Some wear animal masks, incorporate crystal, metal, wood elements into their clay bodies. Others are illuminated from within, costumed with ribbons, lace, and silk.

In harmony with Biello’s longtime commitment to collaboration, HOLY . BODY will also feature photographs Thomas Moore snapped in 1980 of Biello’s dramatic ceramic, wood and leather tea set, including a wearable ceramic helmet and codpiece Biello wore to the opening of the Clay 1980 exhibit at the Tyler School of Art. This act, which rattled the conservative crafts community, reinforced his determination to reject censorship and continue on his path of creative self-expression.

In response to recent rulings limiting LGBTQ freedoms and in anticipation of the struggles that lie ahead, Biello embraces the role artists and cultural activists need to play now, continuing to push the limits of creative expression – challenging ongoing inequality, prejudice, censorship, and injustice.

Excerpt from Making a Man (1991)

Lyric by Michael Biello

Music by Dan Martin

A BALL OF CLAY

ISN’T THAT HOW IT ALL BEGAN?

A BALL IN HAND

SQUEEZE POUND PINCH

INCH BY BLESSED INCH

THE FORM BECOMES CLEAR TO ME

FROM EAR TO EAR TO REAR

EXACTLY THE WAY I WANT HIM TO BE

I’M MAKING A MAN

TO LOVE ME

WITH THESE HANDS

I’M MAKING A MAN

I’M BUILDING A MASTERPIECE

TO LOVE ME

WITH THESE HANDS

I’M MAKING A MAN