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Saturday, January 20th, 2–5 pm

50th Anniversary Launch Party

Our big Launch Party! We kick-off the 50th Anniversary year by opening up three exhibitions: Founders & Foundations, Flow, and Claymobile Creations. We also celebrate 30 years of Claymobile—our expansive community outreach program. There will be cake, remarks from our Founders and the unveiling of a street-side sculpture by George Rodriguez.

Please RSVP
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March 20–23, Richmond, VA

NCECA Conference Exhibition: 50 Years in the Making

NCECA is a the largest conference that engages and sustains a community for ceramic art, teaching, and learning. We are proud to showcase an exhibiton of our Resident Aritst Alumni.

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Saturday, April 6, 11:30–2:30 pm

PhilaBowl

Philabowl will feature fabulous cuisine from local chefs served in beautifully handcrafted bowls created by Clay Studio artists for guests to take home as a reminder that everyone’s lives can be filled with hope and art. This fundraiser will benefit the scholarship fund at The Clay Studio and help fight hunger in our community, with half of the proceeds donated to Ordinarie Heroes.

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Saturday, May 4, 12–4 pm

Pottery Sale

Our annual seconds sale—where you can get armloads of pottery at rock-bottom prices, ranging $3 – $20. These pots have been donated by our students, teachers, and artists in our community. Proceeds from this event will generously support the Scholarship Fund.

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Saturday, September 21, 6–11 pm

50th Anniversary Gala Fundraiser

Annual Fundraiser that celebrates our friends and community with an evening of food, drinks, art, and dancing. There will a live auction and raffles of collectible ceramics from artists in The Clay Studio Community.

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Tuesday, October 29, 5:30–8:30 pm

Our Community Night & Meet the Residents

Join other members of the Clay Community to hear about upcoming programming, plans for our NEXT 50 Years, and short presentations from our impressive group of Resident Artists. We will have snacks and sips, with plenty of time to mingle.

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Saturday, Nov 9, 12–4 pm

In-House Artist Sale

An excellent opportunity to see and buy incredible work made in-house by Associate Artists, Staff, Instructors, and Resident Artists of The Clay Studio.

Being a founding member of The Clay Studio stretched my idea of what I could accomplish both individually and in collaboration with a group. I also benefited from the warmth of life-long friendships and continuing stimulation as an artist.

Janice Merendino

Founder

The early years of The Clay Studio were some of the happiest of my life. I was in my late 20s and had just left Moore College of Art. I didn’t know what it meant to be a potter or how to set up a studio. I learned both by starting and working at The Clay Studio.

Kathie Dalzell

Founder

What The Clay Studio did was to enable me to begin a career as an artist and continue with the opportunity to make a contribution to the field in which I have spent my entire career. Without TCS, I may not have remained in the world of Ceramics.

Jill Bonovitz

Founder

50 Years of Clay

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1974—Our Founding

The Clay Studio’s story begins in Old City with five artists, Ken Vavrek, Jill Bonovitz, Janice Merendino, Betty Parisano, and Kathie Regan. The artists met at Moore College of Art and found a way to continue the camaraderie they built by establishing a new studio for sharing resources and learning from each other.

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1979—Our Nonprofit Status

We become a non-profit organization. An increasing interest in promoting ceramic arts, service to artists, and a greater focus on providing education in clay to students in the area motivates this change.

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1980–81—A Fire Creates New Growth

After moving to a new location on Arch Street, a major fire destroys the interior of our new home. With the help of patron Bertram Horowitz, the organization relocates to 47–49 N. 2nd Street. At the new location, we codify the Resident Artist program, class offerings are extended, a communal studio program and shop are added, and professional staff is hired.

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1983–86—A National Focus

We host a series of major exhibitions featuring some of the most prestigious American artists working in clay. Through a unique partnership, the featured artists offer lectures at the Philadelphia Museum of Art, bringing new stature to The Clay Studio. The artists met at Moore College of Art and found a way to continue the camaraderie they built by establishing a new studio for sharing resources and learning from each other.

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1990—New Collaborations

We establish The 2nd Street Art Building at 137-139 N. 2nd Street, where more space, professional studios, a shop, and a gallery serve our ever-growing constituency alongside spaces created for other arts organizations. Sharing space helps position us as a leader within the Philadelphia arts ecosystem.in clay to students in the area motivates this change.

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1992—International Engagement

Contemporary East European Ceramics, a major, Pew-funded exhibition, vaults our gallery to international acclaim. Ceramic artists from behind the Iron Curtain travel to The Clay Studio, inaugurating the Guest Artist Program. The exhibition coincides with the 1992 National Council on Education for the Ceramic Arts (NCECA) Conference held in Philadelphia. At the new location, we codify the Resident Artist program, class offerings are extended, a communal studio program and shop are added, and professional staff is hired.

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1994—Claymobile Program

The Claymobile program begins to serve students at schools lacking the funds to travel to the building. Teaching artists bring a full ceramic class experience to dozens of schools and organizations around the Philadelphia area.

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1994–2007—Expanding Horizons

Further building its international reputation, The Clay Studio hosts a series of exhibitions highlighting works from Israel, England, Puerto Rico, Hungary, and Japan. The exhibitions provide The Clay Studio community with new ideas and inspiration from a global perspective.

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2007—Ring of Fire

Our community supports the successful completion of the Ring of Fire Capital Campaign so that the organization can become the sole occupant of 137-139 N 2nd Street, allowing for expanded programs and artistic opportunities.

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2010—National and Local Growth

In conjunction with the annual NCECA conference, The Clay Studio organizes a major city-wide exhibition, Ceramic Interactions, in collaboration with the Philadelphia Museum of Art, the Penn Museum, and Eastern State Penitentiary, visited by thousands of people from around the country and the world.

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2012–2016—The Power of Clay

An increased demand for classes inspires a school redesign that allows twice as many students to participate in classes. It soon becomes obvious the even more space is needed to serve demand in our community.

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2018—Claytogether Campaign

With South Kensington chosen as the location of our new home, the ClayTogether capital campaign takes off with incredible support from our Board, Staff, Artists, and Community. We initiate significant projects in the neighborhood to build relationships with our future community.

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2020–2022—Building Our Future

Surpassing our original capital campaign goal, we break ground for our new facility in January 2020. In April 2022, we proudly opened the doors of our new home at 1425 N. American Street. Here, we welcome an ever-growing audience of ceramic artists, students, and enthusiasts by doubling the number of students served, expanding free programming, and offering many spaces to come together as a community.

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2024+ The Future of Clay

Our 2024 exhibition schedule culminates with an exhibition looking toward the many futures of ceramic art with a 4 person curatorial team and a group of artists who have never before shown at The Clay Studio. Our Digital Technology Studio launches and we continue to honor the past as we strive to embrace what’s next.

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2018—Claytogether Campaign

With South Kensington chosen as the location of our new home, the ClayTogether capital campaign takes off with incredible support from our Board, Staff, Artists, and Community. We initiate significant projects in the neighborhood to build relationships with our future community.

My life has been transformed in so many ways that it’s hard to even imagine who I would be without the Studio’s influence. My home is filled with clay work from hundreds of artists who have graced the Studio over the years; I feel their presence every day. Some of my dearest life-long friends are from the early days of the Studio as an artist collective; others are people I worked with on Staff or on the Board. While on Staff for 17 years, I transformed myself from an arts enthusiast into a community-minded and effective leader.

Amy Sarner Williams

Foundation